Ten Thousand Hours Photography
10,000 Hours Deliberate Practice Learning the Art of Photography
Photoshop’s route to more vibrant colours via an alternative colour space. This post looks at the Photoshop LAB colour space:
Hours 800 to 2,200
The objective of this post is to create and document a workflow that makes better use of the respective strengths of Capture One Pro, Lightroom Classic and Photoshop CC, and to meet my developing requirements:
Capture One Pro has the concept of Sessions which are great for managing discrete projects. In my opinion better than anything Adobe has in this area. However, for overall file management, Lightroom Classic CC is a clear winner (even PhaseOne admit that Capture One Catalogs are not quite there yet). Photoshop remains the top choice for final editing.
This post covers both:
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In the last year or so some of my most successful competition entries have been in the form of Diptych or Triptychs. This post is an attempt to consolidate my thoughts regarding what makes a successful Diptych (Triptych or other Polyptych).
I define success as the whole being greater than the sum of the parts. For example the picture to the right, which was roundly applauded in competition at the Amersham Photographic Society, consists of two sub-images which on their own are OK but too simplistic to hold the viewer’s attention for long.
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Arguably the best way of learning architectural photography, is to actually do it. The scariest way of learning architectural photography is to get paid for a real assignment. I achieved the later through a friend who runs a building company specialising in high-end residential property. Some commercial properties, but mainly multi-mi££ion “Grand Designs” style contemporary new-build or conversions.
Back in January when I was “shooting the shoot” for the Larsen Syndicate, one of the guns explained that he wasn’t particularly happy with the photographers he had used in the past, and we discussed the possibility of me doing some work for him. He insisted that he would pay me; a good idea all round, but nothing happened for 7 months. Then I received a phone call asking if I might like to photograph a house they had worked on. This turned into two houses, and the promise of other work including more properties, a company shoot and a time lapse of a major project. All before I had actually done anything.
Having never shot houses before, I had to learn fast. I purchased an FStoppers on-line course from Mike Kelley and set about practising on my own home, as above.
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To see more posts on other photographic topics, or to follow my learning progress, please like or follow me on the social media channel of your choice to the right. Thank you.