• Home
  • About this Project
    • Purpose of this Blog
    • Why 10,000 Hours
  • Galleries
  • Who is Andy Smith?
    • Photography – Style, Philosophy and Aspirations
    • Photographic Equipment
      • Cameras and Lenses for 10,000 Hours of Deliberate Practice
      • Tripods, Stands, etc.
      • Flashes and Lighting Modifiers
      • My Kit at Zero Hours
    • Other than Photography
  • Journal of 10,000 Hours
    • May 2025
    • April 2025
    • March 2025
    • February 2025
    • January 2025
    • 2024
      • December 2024
      • November 2024
      • October 2024
      • September 2024
      • August 2024
      • July 2024
      • June 2024
      • May 2024
      • April 2024
      • March 2024
      • February 2024
      • January 2024
    • 2023
      • December 2023
      • November 2023
      • October 2023
      • September 2023
      • August 2023
      • July 2023
      • June 2023
      • May 2023
      • April 2023
      • March 2023
      • February 2023
      • January 2023
    • 2022
      • December 2022
      • November 2022
      • October 2022
      • September 2022
      • August 2022
      • July 2022
      • June 2022
      • May 2022
      • April 2022
      • March 2022
      • February 2022
      • January 2022
    • 2021
      • December 2021
      • November 2021
      • October 2021
      • September 2021
      • August 2021
      • July 2021
      • June 2021
      • May 2021
      • April 2021
      • March 2021
      • February 2021
      • January 2021
    • 2020
      • December 2020
      • November 2020
      • October 2020
      • September 2020
      • August 2020
      • July 2020
      • June 2020
      • May 2020
      • April 2020
      • March 2020
      • February 2020
      • January 2020
    • 2019
      • December 2019
      • November 2019
      • October 2019
      • September 2019
      • August 2019
      • July 2019
      • June 2019
      • May 2019
      • April 2019
      • March 2019
      • February 2019
      • January 2019
    • 2018
      • December 2018
      • November 2018
      • October 2018
      • September 2018
      • August 2018
      • July 2018
      • June 2018
      • May 2018
      • April 2018
      • March 2018
      • February 2018
      • January 2018
    • 2017
      • December 2017
      • November 2017
  • Ten Thousand Hour Blog Posts
  • Photo10KH

Ten Thousand Hours Photography

10,000 Hours Deliberate Practice Learning the Art of Photography

December 2021

10,000 hours studying fine art photography deliberate practice

This journal records my actual 10,000 hours studying fine art photography deliberate practice.

Hours 5,959 to 6,036

(January 2022)


31st December

Hours 6,032 to 6,036

(½h) creating the following variation of an image shot in Northumberland which has been colourised to increase the drama and sense of depth.

10,000 hours studying fine art photography deliberate practice

(4h) working on the “Autumn 2021” review post.

(½h) Updating this journal.


30th December

Hours 6,031

(½h) YouTube:

  • Contemporary Art Issue: “Top 10 Most Expensive Contemporary Artworks” – nearly all Abstract Expressionist (not technically Contemporary) including No.s 1 & 3 from Willem de Kooning
  • Barbican Centre: “Jean Dubuffet: Brutal Beauty” curator’s tour of the exhibition visited by me on the 20th May

(½h) Updating this journal.


29th December

Hours 6,028 to 6,030

(1½h) processing the Gut Buster images (“Jack’s 60th Birthday Run“)

(½h) putting the above on social media, Flickr and Facebook.

Entrants from the Hayes & Harlington Road Runners

(1h) creating new Abstract images from those shot at the Stoke Poges Photographic Club’s workshop on the 7th of this Month.

Homage to Barnett Newman

28th December

Hours 6,025 to 6,027

(½h) Shooting the Reading “Gut Buster” Run

(1h) updating October’s Journal while looking for images for the “Autumn 2021” post

(½h) processing the Christmas images from Stanbrook Abbey

(1h) culling and reviewing today’s Gut Buster images.


27th December

Hour 6,024

(½h) collating images for the “Autumn 2021” post

(½h) experimenting with the iPhone macro adjustment lens I was given for Christmas.

Extreme Macro of Packing Foam – shot on an iPhone with Apexel Clip-on lens.

26th December

Hour 6,023

(1h) experimenting with the Kefalonia Sea Wall images using CaptureOne:

  1. B&W versions – minimal but tending to be more harsh
  2. colour but with a lower colour temperature (6116 rather than 6499)

Currently feeling that the images lend themselves more to an abstract expressionist rather than minimal Japanese aesthetic.


25th December

Hour 6,022

(½h) shooting on Christmas morning.

Stanbrook Abbey

(½h) experimenting with different processing of the Kefalonia Sea Wall images.

Objective:

  • minimal
  • high-key.

24th December

Hour 6,021

(½h) updating this journal

(½h) working on the “Autumn 2021” review post.


23rd December

Hours 6,019 to 6,020

(1h) YouTube:

  • Empty Gate Zen Centre: “Introduction to Zen Philosophy“
    • Zen literally means meditation
    • Most similar to psychotherapy
    • Clearing the mind, removing preconceptions, becoming open to new ideas
  • Ted Forbes: “Review of Photo Books“

(1h) processing potential panel images from the sea wall images shot in Kefalonia


22nd December

Hour 6,018

(½h) reading “ikigai”

(½h) updating this journal.


21st December

Hour 6,017

(½h) YouTube: “Zen: An Introduction” and reading “ikigai & and other Japanese words to live by” by Mari Fujimoto, eating photographs by Michael Kenna. The goal is that my Kefalonia wall images may embody a Zen spirit.

(½h) creating the following “fun” image from York.

“Ghost Walk”

20th December

Hours 6,015 to 6,016

(1h) updating this journal.

(1h) creating images from York including the following.

…..
Blurry Christmas Shopping

19th December

Hours 6,013 to 6,014

(2h) YouTube:

  • Perspective: “How Van Gogh’s Sister In-Law-Made-Him A Renowned Painter“
    • Van Gogh sold only one painting in his life time yet left a legacy of over 600
  • PIXimperfect: “Use 6th Grade Maths to Match Color in Photoshop!“
    1. Use the eyedropper tool to sample then create swatches of skin tones from both the subject and reference images – circles of solid colour on new layers – eyedropper should be set to sample a sufficiently wide set of pixels, i.e., 11 or 35
    2. find the difference by using the blend mode of the top layer to Subtract. If the result is black reverse the order of the layers.
    3. select the difference colour using the eyedropper tool and create a solid colour layer and set the blend mode of this layer to either Linear Dodge (add) or Subtract
    4. mask the above by
    5. hide the layers created in step 1
  • Great Art Explained: “The Persistence of Memory“
    • Dali was expelled from the Surrealist for his support of Adolf Hitler, and was also a supporter of Franco. Favourite music Wagner’s Tristan and Isolde. However, along with a lot of other Avant Guard artists left Europe for the USA during World War II
    • The fly on the watches is a reference to the transience of human life in classical still life
    • The strange face-like pink blob in the middle of the image is almost exactly that of the face by the pool in the first panel of Hieronymus Bosch’s The Garden of Earthly Delights
    • The clocks all set to different times, was perhaps influenced by the recently devised theory of relativity. However, Dali himself, suggested that the arms on the clock refer to the arrow in the symbol for maleness and as such a floppy watch is symbolic of male impotence. (?)

18th December

Hour 6,012

(1h) YouTube

  • Yale Courses: “The Frankfurt School of Critical Theory” – major influence in art following the Modern era, i.e., the 1950s onward
  • Sean Tucker: “Choosing between Black+White and Colour in your Photography“

17th December

Hours 6,011

(½h) reprocessing my Mary Poppins Anti-Vaxxer image below to remove distractions in the background and emphasise her.

(½h) rewriting my A4 print Photoshop Actions which previously didn’t correctly position the image with at least an inch of white boarder around the edge.


16th December

Hour 6,010

(1h) another really excellent YouTube lecture from Travis Lee Clark: “Performance Feminism & Minimalism part2“.


15th December

Hour 6,009

(1h) updating this journal, mainly with regard to yesterday’s excellent YouTube and processing the following image (colour balance in Photoshop).

“Abandoned Sunshades”

14th December

Hours 6,007 to 6,008

(1h) processing the zen abstract photos shot in Kefalonia in November.

(1h) YouTube: Travis Lee Clark, “Performance, Feminism & Minimalism (part 1)“

  • After the “Modern” period (cubism, surrealism, abstract expressionism, etc.) came the “Contemporary” period, i.e., now
  • Started in the 1960s/ 70s
  • Art now had a, usually political, message
  • Fluxus Movement (development of Dada & Futurism) – proponents included:
    • Yoko Ono, “Cut piece” where audience members were encouraged to cut off pieces of her clothing, drew attention to the objectification of women
    • Chris Burden, who had himself nailed to a car and being shot; implication of audience participation in his suffering and in the latter case being accessories to a crime
    • Marina Abramovic, 72 objects which included her, a gun and a bullet, and audience members were encouraged to interact with these however they liked
    • Betty Friedan & Judy Chicago doing feminist textiles, etc.

13th December

Hours 6,004 to 6,006

(½h) updating this journal.

(2½h) working on “Variations on a Theme“: shots made of reflections from a shop window displaying wig mannequins.

My current favourite version, left, “Roof-Top Mannequin” is quite a small crop from the original image, but still works quite well.


12th December

Hours 6,001 to 6,003

(1h) updating this journal and the associated Flickr.

(1h) working on the Anti-Vaxx Rally images from 4th December and exporting to Flickr.

Australia in Distress

(1h) processing the York Night Street Photography images and exporting to Flickr.

Blurry Christmas Shopping

11th December

Hours 5,998 to 6,000

(½h) updating this journal.

(1½h) YouTube:

  • CaptureOne: “What’s New in Version 22”
    • Stitching panoramas – yet still retaining the ability to do RAW editing
    • Merging to HDR – allows greater detail to be capture than is possible with a single shot
    • AI auto straightening – probably the new feature that I will use the most.
  • Dixon Gallery and Gardens: “Abstract Expressionism” photographers mentioned include:
    • Harry Callahan
    • Aaron Suskind – “the Franz Kline of photography”
  • The Photographic Eye: “Are you brave enough?“, essentially to show your work to other people – nurture the complements and ignore the criticism.

(1h) further editing, then exporting to Flickr the Sankta Lucia images shot on the 3rd December.

Between the Pews – Sankta Lucia – York Minster

10th December

Hours 5,993 to 5,997

(3h) processing the street photography images shot last weekend in York

(2h) rewatching Monday’s lecture on Mindfulness in Photography by Ken Scott.


9th December

Hours 5,990 to 5,992

(1h) processing some of the images from York shot at the weekend.

Confrontation at the Anti-Vaxxer Rally

(2h) Amersham Mono Group.


8th December

Hours 5,985 to 5,989

(1h) selecting images for this morning’s Amersham coffee meeting and for next week’s Stoke Poges Print competition.

(2h) at the Amersham coffee morning reviewing a number of images including my recent Dorset Seascapes.

(1h) YouTube remainder of Travis Lee Clark’s: “Abstract Expressionism”

(1h) culling the York anti-Vaxxer demonstration images shot at the weekend.

“Mary Poppins – Anti-Vaxxer” right.


7th December

Hours 5,982 to 5,984

(1h) culling and editing images from York

Dark Street York

(½h) YouTube, first part of Travis Lee Clark’s: “Abstract Expressionism”

(½h) updating this journal

(1h) [1 of the 2 elapsed] Stoke Poges Photographic Club – workshop on abstract photography.

Green and Magenta

6th December

Hours 5,977 to 5,981

(½h) first light street photography, York city centre.

“Early Morning in York”
“Dodgy Outlook” – wig shop and reflections

(½h) updating this journal.

(1h) processing Kefalonia abstracts.

(1h) culling some of the 670 images shot in York over the weekend.

(2h) Amersham Photographic Society – Zoom lecture by Ken Scott: “Mindfulness of Photography” which was absolutely excellent and more than worthy of rewatching on the recorded version.


5th December

Hours 5,975 to 5,976

(1h) processing Kefalonia abstracts.

(1h) evening street photography York.

“Man, Dog and Burger Bar”

4th December

Hours 5,972 to 5,974

(2h) shooting the anti-vaxx, anti-lockdown, Covid-is-a-myth protest in York city centre.

Anti-Vaxxer Rally, York City Centre

(1h) processing some of the Kefalonia abstracts.


3rd December

Hours 5,969 to 5,971

(½h) updating this journal, mainly with regard to yesterday evening’s YouTube lectures.

(1h) working on the “Autumn 2021” seasonal post.

(1h) working on Dorset Seascape and sending to SIMlab for printing, prior to discussion with the Amersham Coffee Club next Wednesday.

(½h) night shooting in York city centre, including the following images from the Sankta Lucia service at York Minster.

Sankta Lucia – York Minster

2nd December

Hours 5,962 to 5,968

(½h) updating this journal.

(2h) working on (largely monochrome) Dorset Seascapes.

(½h) collecting images for an “Autumn 2021” seasonal post. A lot has happened in the last 3 months.

(2h) Amersham Beyond group – next challenge “Bokeh”.

(2h) YouTube including:

  • Miguel Quiles: “How To Professionally Retouch Portraits without Frequency Separation!“
    • Hue/Saturation tool to alter the hue of overly red areas
    • Mask the above using a luminosity mask with non-face areas blacked out
    • warm the whole image using Colour Balance to warm highlights and midtowns and slightly cool the shadows (add blue only)
  • Travis Lee Clark: “Surrealism Regionalism Abstraction” – the precursors to contemporary art. Clement Greenberg’s theory, espoused in his essay “Avant-Garde and Kitsch” that modernism was a natural development of high-art from that which came before it. High art resisted the dumbing-down pressures of consumerism that the kitsch yielded to. TLC argues that Pop-Art proves that there is no difference between high and low art.

1st December

Hours 5,959 to 5,961

(1h) updating this journal with complaints about yesterday evening’s judge and all the new month admin.

(1½h) Amersham coffee morning where my LAB-coloured potential A panel was discussed. This was considered better than the original and I was encouraged to submit it.

(½h) processing a couple of monochromes from my trip to Dorset in mid-November, including the following:


(November 2021)

Search this site:

Other Blog Posts

  • Art Theory (14)
  • Art Works Review (13)
  • Assignments (5)
  • Distinctions (8)
  • Learning Progress (16)
  • Photographic Technique (19)
  • Seasonal Review (31)
  • Travel/ Street Photography (3)
  • Uncategorized (2)
Shooting on the Thames at Sunset

Please connect with me

  • Facebook
  • Twitter
  • Instagram
  • Flickr

Recent Posts

  • Spring 2025
  • 2025: Top 10 Painters
  • Fellowship of the Royal Photographic Society
  • Setting Up the Sony a1 – Safari Update
  • Progress Milestones by Hour

Recent Photos

Mono Hippo.jpgAfrican Wild Dog with Antelope Skull.jpgMono Hippo19 Into the Blue.jpg
More Photos

Copyright © 2025 · Design by Boutique Studio ·

Copyright © 2025 · Style Stereo on Genesis Framework · WordPress · Log in